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The two of us with a great find - Cream's Disraeli Gears. |
Once in a while, my long time buddy now based in the middle east and I would catch up with one another whenever the former's back in the country vacationing.
We met way back in the early 90's. Used to work for an Aussie owned hotel in Manila but got closer during our tenure in a small hotel in Makati. Upon discovering a common passion in music, we became even tighter.
I started down the perfect sound forever path first and then bugged the poor guy endlessly about the wonders of this thing called compact discs.
A month or two later, he bought a boombox. And from then on, just like me, he was doomed. The never-ending search for all those elusive and essential recordings was on.
Even though our salaries were just a tad above minimum wage, we were able to buy all those discs and would scour every record bar in sight like CD Warehouse, Landmark, Odyssey, Music Nook, Radio City, SM, M1, Tower Records and even those stalls in Quiapo.
Back in the days when the then Polycosmic Records had clearance sales in the parking lot, we were always there. At Save A Lot's buy one take one sale, we were there as well. Name the record bar or bargain jaunt and chances are great that we've been there before.
There are times when one of us had to draw faster than the other because a particular album could be the last one in stock. I can still remember that Emerson, Lake & Palmer compilation in an Odyssey bargain bin that he plucked out the moment he laid his eyes on it while I was looking some place else. Deep inside I felt bad and cursing but luckily, there's another copy lying idle in the stockroom.
Our respective collections grew considerably through the years. We switched career paths. Both of us transferred to other companies. His family got bigger. I tied the knot. Our hunts became less and less frequent, few and far in between but everytime we had the chance, we'd set aside an hour or two just to be able to roam around CDlandia again.
By the time the new millennium beckoned, he was able to secure a beat-up turntable and that signaled the start of his analog journey. I followed suit but had to give it up not long after. Why? I destroyed my turntable that was only supposed to be tweaked. Well, so much for my DIY skills or rather the lack of it!
One time, we went to the Cubao Expo for the "Kagatan" which is a quarterly meet for vinyl lovers to check out some records. Even though I'm still officially out of the vinyl loop, I had a whale of a good time crate digging.
Among the many rows of records for sale, we decided to check out the hundred peso crates first. Yes, we're cheap but we take pride in finding gems hidden in one of those God forsaken bins. And there it was, Genesis'
Abacab and Jeff Lorber's minty looking
In the Heat of the Night.
When we moved to another crate, there was Rickie Lee Jones' eponymous
debut album and Seals & Crofts'
Summer Breeze. Told ya, seek and ye
shall find!
A sudden attack of nostalgia hit me upon seeing Billy Squier's long out of print 1984 album
Signs of Life. The sleeve was still in very good condition but I didn't bother to check out the grooves. There's no use since I don't have a freaking turntable (yet).
More than a couple of hours later, we decided to call it a day and headed off to the nearest mall for a quick bite. I jokingly said: "Let's find dear old French Baker and we've gone full circle."
I'm referring of course to the popular bakeshop that we used to frequent once we're done with our CD hunting. It was the only place we can afford then after emptying our pockets.
Needless to say, he didn't oblige and instead yanked me to a nearby burger joint.